Zeitschrift für Kunst- und Sozialwissenschaften

The Ideas and Methods: Realization of Modern Artists of Kazakhstan in Creative Works through Colour Distribution of Paintings - Muratbayev

Abstract

Bolisabev D, Kunzhigitova G and Burkitbayev T

The article features color combination and painting techniques of the Kazakh artists, such as Muratbayev, Muratbayev, Bube Belly, Akzhan Fbdieva and Nartay Zhardemov. Realization of color combinations can be accomplished through the following way: all of creative works/images, which come together in tone and color correlations, are proportional to visual image; the main integrity of fine art works is only the image in the soul of the artist - “work in soul”. The main part of Art works/paintings is being in harmony within themselves. Hence, the artists of modern era in Kazakhstan have been able to use harmony techniques in their art works. A person is in harmony with nature. It can be seen from mountain shapes, valleys, trees and grasses, animals and birds, which are perceptive to human brain and human eyes. Crucial factors have been rhythm and symmetry, the eternal harmony of creators. The universal manifestation of rhythm and symmetry leads to single order of all that are present in nature. 21st century’s Art of Independent Kazakhstan is expressed through �?�?°esthetics, language, implements of the high visual art. Art of Independent Kazakhstan is covering continuity of cultural, political, historical signs of the modern art. Therefore, paintings of Independent Kazakhstan are unique in their structure. They have been developed for 25 years in correlation with other art forms, improving the new directions, as well as forms and genres. The art works and paintings of Independent Kazakhstan form their own aesthetic language, specific modern methods, national traditions and particular art language of the graphic works, as well as the new directions of Kazakhstan’s paintings that have resulted from certain specific factors. That is why it is important to understand the main directions of Visual Art of Independent Kazakhstan’s artists, along with the color combination and painting techniques that they have used. Hence, that is what this paper is addressing.